April 30, 2011

Samba Coco Raízes de Arcoverde - Rumos Música

.

From the interview with the Group "Samba Coco Raízes de Arcoverde",from the program Rumos Music 2004-2005, Itaú Cultural project .

" Coco is a rhythm and dance from the states of Ceará, Paraíba, Pernambuco, Rio Grande do Norte, Alagoas, Maranhão, Piauí and Sergipe, which are all in Northeastern Brazil.

It was born in the sugarcane mills during the 17th century, and later brought to the coast. It either comes purely from the enslaved Africans or is a mix of Native Brazilian Indian and African traditions.

The rhythm first took shape in the singing of the “Tiradores de Coco” (coconut catchers), based on the sounds they made while breaking the coconuts to extract the meat. From there it became a dance.

The music begins with the performers in lines and circles, while a lone performer sings the initial verses. The rest of the performers then reply with the chorus, all the while tapping and clapping and dancing to the rhythm. The percussion instruments used are Pandeiro ( Brazilian version of the Tambourine) Bombo (small Bass Drum), Caxixi (instrument made of straw, filled with rice or seeds) Ganzá or Mineiro (cylindrical metal shaker), depending on the style of Coco. Sometimes, though, the only accompaniment is clapping and singing.

There are several variations in style, depending on whether the rhythm is found at the coast or in the countryside. The best-known Coco forms are the Coco de Roda and the Coco de Embolada. Coco de Roda is the rhythm in its simplest form, in which participants sing, clap and dance in a circle. The Coco de Embolada is the rhythm with no choreography, sung by two participants, playing just the Pandeiro, and improvising humorous verses to challenge each other. To win, the singer must compose the verses ex tempore without losing the rhyme. We can also mention the styles of Coco de Ganza, found in the state of Paraiba and Samba de Coco, form the the interior of the state of Pernambuco. ( More )

Eduardo Guedes, Blog: The Exchange
.